As you know, I’ve been working on a side project partially for fun but mainly to see if using the Snowflake Method of plotting would be beneficial for me in the future for serious projects. Work has been continuing slowly on that but it hasn’t been prioritised over other work – though it seems to want to get itself promoted to a serious project. My plate feels rather full at the minute but we’ll maybe see in the future.
I was making fairly quick progress through all the steps – until I got to stage seven. This part involves very in-depth character profiles, going into every little detail about the characters, and I am finally making some good progress on it. Before I was getting really distracted and skipping ahead to the next phase (I know I shouldn’t but I just love planning scenes) and just generally struggling to get in the rhythm of filling in the incredibly detailed sheets the template came with.
It’s very strange for me to go into so much detail with characters before I start writing. Normally I have to get started and let the characters grow from the page, emerging with the story and influenced by the situations they get put in. I’ll have a rough idea but I won’t really start to know them until I write. I won’t know how they speak or interact or even what they’ll do until I actually get them doing things. It means that in the early chapters of a rough draft they can come off as very dry – because they are. By the middle they’ll have some personality and background and I go back and fix the start during edits.
Using the Snowflake Method means I’m going to know my characters really well before I even think about the first scene. By the time I’m finished stage 7, for each of them I’ll know their histories, their speech patterns, influences and ideals. There’s sheets that probe into areas I wouldn’t have thought of looking at ever and even my ‘main’ minor characters will have comprehensive histories. It really gives the feel that my first draft will have far more robust and interesting characters and that this would lead to far more character driven stories. Now that they already have personalities and histories, they can’t be moulded to the story – it must be moulded to them.
I’m really excited to see how this effects the end result – the way the characters appear on the page. Will they be more rounded, relatable and all around enjoyable as a result? Or will they lose that natural and organic feeling? Honestly, I don’t know yet but there’s only one way to find out!
Portrait of Sharneth Vix’sear
Story: Twyned Earth series, first appearance in Through the Black.
Protagonist or Antagonist?: Protagonist
Name: Sharneth Vix’sear
County of Origin: Thikrek
Occupation: First Voice of the Vix’sears
Loyalties: Those who have proven their worth
Goal: To preserve peace
Morals: The needs of the many matter most. Often dark things must be done in the name of what is right.
While exploring a suspicious rock formation, Sharneth and her mate discover that someone is trying to shatter the thousand-year long treaty that has protected her people from the horrors of the past. Thrust into an alien world unlike anything she ever imagined, her mate wounded and the shadows of war gathering, she must unlearn all her prejudices and side with some of the very creatures she fears in order to stop the worst period in her people’s history from repeating itself.
And strange, strange creatures they are.
Portrait of Tony by OlieBoldador – commissioned by a close friend
Story: Twyned Earth Series, first appearance in Through the Black.
Protagonist or Antagonist?: Protagonist
County of Origin: Aigorshuck, Sarn
Occupation: Unemployed. Nothing shady going on here. Nooooope.
Loyalties: Family, and one or two close friends
Goal: Save the world.
Morals: Strict, if skewed. There are some things you just don’t do. Try to keep the civilians out of it. Don’t hurt kids and kill anyone who does. And if there’s the risk of a world war starting, ugh, guess you try and help.
When Tony’s best friend decides he wants to stop a war, he supposes he should probably tag along. After all, Michael’s an idiot and Tony’s got connections. Totally legit connections, you understand, but they could come in handy – especially when things get heavy.
It’s easy to underestimate a man who’s four inches tall. Someone’s in for a big surprise.
Portrait of Ashlyn Hearn
Story: One Dead Prince
Protagonist or Antagonist?: Um, yes
Name: Ashlyn Hearn
County of Origin: Northern Eirach
Occupation: Herbalist and phony fortune teller
Incarceration for witchcraft and the sentence of death briefly set Ashlyn back in her hunt for a creature of great power. When the kingdom of Eirach is invaded by the Avinbourgers though, she sees the opportunity for escape and jumps at it. Enlisting the help of a bounty hunter to travel far away from the city, she briefly abandons the goal she has been working so hard towards. That is, until they come across a man who knows the true fate of the late Prince Tiernan and suddenly the pieces of a new plan all fall together with even less risk than she could have hoped for.
After all, it’s hardly a sacrifice if you won’t miss them, is it?