Woodland Walk

It’s been a while, so how about a photo set?

It’s important when you’re feeling a bit down with writing to think about why you write and what inspires you to write. While I have trouble actually writing settings, I find pictures of places and walking places hugely inspirational. My mind instantly goes to all the amazing things that could have happened where I am, all the potential for adventures.

I’ve been struggling with edits a little so an impromptu forest walk yesterday helped kicked my mind into gear, especially as my characters are stuck in the wilderness at the moment. So here is a collection of setting inspiration pictures I took, I hope you enjoy and maybe even get a little inspiration yourself!

 

That’s all for today. Happy writing everyone!

 

Snowflake So Far

You may remember me mentioning that I was going to try out the Snowflake method to see if it’s something I want to use in the future when plotting stories. So far, I’ve found it to be an incredibly useful tool. Already I’ve identified several major problem areas and managed to change them quickly, all before I’ve actually gotten to the point where I need to go back and alter other things. Let’s look at the list.

First, I found the character arcs really helpful. This is where a one paragraph synopsis is rewritten for each of the MCs. For one thing, I noticed that one of the MCs had basically no arc whatsoever. She was a Manic Pixie Dream Girl without being manic, pixish or a love interest, which was kinda impressive when you think about it. Noticing this now allowed me to really look at her and her story and make sure that she had goals and pursuits and a purpose other than holding up the other characters. I rewrote her paragraph and turned her into a fully-fledged story all herself. And I didn’t have to alter 70k words of prose to do it – a nice change from my usual method.

Next in Stage 4, the plot expansion step, I was able to combat another old nemesis of mine – the “things are too easy” problem. I make a bad habit of this one and it’s led to me having to insert entire arcs into already fully written manuscripts, and of course alter all the rest of the novel appropriately. Here I could tweak just a few sentences to make things more interesting and less predictable and it only took me an hour or so as opposed to a couple of months.

Stage 5 is very good for weaving all the characters’ stories together and finding ways to add depth and intrigue to use characters to their full potential. It made it easier to keep track of subplots as well, as it allows for slight tangents away from the overarching stories to look closely at each character. Doing half pages for minor characters is something I’ve never done before – I’ve never put much thought into them before the actual writing and always let them develop with the story. It feels very different and I’m interested in seeing how this effects the story and how my secondary characters feel.

I’m currently on Stage 8 – the outline stage. This feels like more familiar ground as it’s extremely rare for me to write without at least a rough scene-by-scene. Naturally, I like the idea of this stage but I found working in a spreadsheet pretty clunky. I’ve modified it a little and instead jumped into Scrivener, using the corkboard feature. This allows me to very easily move scenes around and also put notes and ideas into each document as I go. I’m just too addicted to being able to put extra info absolutely everywhere, and being able to rearrange with just a drag and drop is so convenient.

cofNeedless to say, this new project has become way more of a thing than I ever intended so whoops on that one. What can I say, I need something to distract me while TE1 is with the betas! That said, playing with this story is going to slow down considerably as TE2 has sat long enough. It’s time to work out those huge structural changes that I’m trying to prevent in future projects.

Wish me luck.

Comedy and the Happy Ending

An incredibly late post about the comedy writing workshop I went to for the Aye Write festival about a month and a half ago. Overall it was great fun, though there was this one point that I disagreed with. During the workshop endings were discussed and the author running the workshop said that comedies can only have happy endings, and almost everyone in the workshop agreed with her. For her specific genre, which was romantic comedies, what I’ve seen from publishers and readers shows this to be true but there’s a lot of scope for an “unhappy” ending in a comic story. Within context, the correct unhappy ending can either be a.) very fitting to a story or b.) hilarious in its own right.

The next contains spoilers for an old TV series and an old film so, uh, the 1980’s called and spoiler alert?

For my first point, perhaps the most memorable and most powerful example I can think of is the final episode of Blackadder Goes Forth. Set in the WW1 trenches, you can imagine the scope for happy endings. The series comes to a close with the main characters going “over the top” in a suicidal charge infamous for devastating loss of troops. While the episode makes liberal use of extremely dark humour (for example, as the troops wait to go over and Darling exclaims “Oh , we’ve survived it, the Great War, from 1914 to 1917!”), it ends an on especially bleak note. The entire atmosphere of the program seems to flip with three simple words from the overly optimistic, nothing-can-bring-me-down George. “I’m scared, sir.” That’s when it hits. All the characters are going to die. The jokes keep coming but they are the characters’ last words. It’s over. And finally, it ends with Blackadder’s famous “good luck everyone” and they go over the top. The series ends.

It is dark, and unfunny, and brings people to tears. It is also perfect.

The second point, where the unhappy end can actually be a joke by itself, has a few good examples – in fact my favourite film is one of them. Evil Dead II is a comedy horror film, your classic “terrible things happen to young adults in a cabin in the woods” story. Everyone’s favourite one-handed, chainsaw wielding, shotgun-toting white trash asshole Ash Williams spends the film freaking out and killing demons. Just as he finally succeeds, as he triumphs over the horrors and is given perhaps a chance to return to his normal and safe life, he is transported back to 13th century England (it makes a little more sense in the film, though admittedly not much) where there’s an army waiting, expecting him to lead them in a great war against the demons. The film ends with this army chanting that he’s their deliverer, and with Ash stood on a plinth screaming in despair.

Trust me, it’s much funnier than it sounds.  Ash doesn’t get what he wants, in the most ridiculous way possible, and fits with the “what other terrible things can we do to this guy” humour that the film employs liberally.

So while the advice that certain genres of comedy require a certain type of ending, I definitely don’t believe it’s true for all. Yeah, you probably don’t want your rom-com to end with a tragic double murder, but a war setting has much more flexibility. Blackadder nailed it. Irvine Welsh’s Filth could never be disregarded as a comedy but at the same time really couldn’t have ended well. Wars? Corrupt police? End of the world? A family reunion? All these things have the potential for both comedy or tragedy but the two aren’t mutually exclusive, if you ask me. Over running the world with nightmare horrors can actually be pretty funny, but isn’t necessarily going to end breezy. The possibilities for dark endings in funny stories are limitless, within reason.

Remember the magic words: Context and audience.

Anything can be funny if you’re smart about it. Then again, maybe I’m a little twisted.

Testing the Snowflake Method

While actually writing is vital to becoming an author, so is identifying one’s weak areas and working to improve them. I certainly know I’ve got a few but I think at present my biggest issue is with story. Not so much the larger, overarching story but all the little bits in-between that get us from A to B.

A while ago while I was procrastinating work things by looking up other work things, I stumbled across a few templates for writing using the Snowflake Method. This involves plotting your entire story starting from a single sentence and then slowly building up and up, expanding into increasingly longer synopses until you’ve got a story. It’s a technique I’ve wanted to try for a while because my own method of planning generally ends up a bit chaotic and my stories often feel very linear. I think this is because in general my mind works on a small scale when planning, moving from scene to scene and ending up with something that’s a bit too straight forward.

I’ve been tempted to try the Snowflake method as I think it might help me see the big events earlier and more easily see things that are too simple or boring. It’s a problem I’ve got in many of my manuscripts and leads to a LOT of work later when editing. While I’m still on schedule with The Fairy Godfather, I’ve made a lot of extra work for myself by having to entirely re-work huge sections of the novel. Plotting is clearly something that I need to work on.

I’ve decided that as a side project I’m going to try it out on a fun personal story I’ve had bouncing around in my head for a while. Not one that’s meant as a serious piece, more as just a workout to see if this method a) works for me and b) helps me with some of the issues that I know I have with plotting.

Also, as I have a love of templates and filling out boxes, I’m going to be using Caroline Norrington’s Scrivener Template. It’s got documents for all the steps of the snowflake method, scene planners, huge character templates – all the good stuff. As this is a basically a side side project, I most likely won’t be sticking to the schedule listed in the template even a little. It’ll be a while before I’m doing a first draft of a proper project as opposed to something just for fun for myself, so I won’t need results any time soon.

Hopefully by the end of it I’ll end up with another daft story for myself to enjoy and a bit more skill when it comes to creating compelling stories.

Bounty – Writing Excerpt

A short excerpt from The Fishperer.

 


 
Some of the other bounty hunters liked to mock Xin’she Hydrocall for her ‘advanced age.’ Those bounty hunters had never been chased by her. Or in a fight with her. When Edar’he Eelspeak heard she was coming for him, he’d been apprehensive. Then when he heard a description of her, he’d laughed. Edar wouldn’t run from a fifty-five year old.

 
He was running now.

 
He was running harder and faster than he had ever run in his life. Pain tore through his chest with every breath as he dodged and ducked through the jungle, leaping over thick vines and swinging across branches. Every time he glanced back, she was closer. Perhaps just a fraction but she was closer. His face was livid and desperate. She didn’t even look to be sweating. He wasted air swearing and ran on. He didn’t need to get far but he had to get there first.

 
Xin kept a steady pace behind him. She didn’t want to burn out before the ensuing fight. It wasn’t difficult – Edar was clearly a city kid. His movements through the jungle were clumsy and obvious. He wouldn’t lose her at this rate. It was only a matter of time until he was in reach.

 
A thick fallen trunk blocked his way and he clambered over it at speed, despite his waning strength and lack of grace. Xin took a short cut, using a nook on the trunk of one tree to launch herself up and grab a high branch, swinging her lithe body with ease over the obstruction and hitting the ground with momentum. Edar was almost close enough to grab.

 
There was a sudden break in the jungle onto a river and Edar released a giddy laugh as he launched himself at it, disappearing beneath the surface as Xin made it to the edge. Without breaking stride she grabbed a knife from her belt and stretched her hands above her head in a point and leapt in a shallow dive beneath the surface. Her eyes easily saw through the warm, clear water. Edar was frantically mouthing something with the rapid expulsion of air bubbles.

 
That’s a mistake, sunbeam, she thought, stretching one hand out in front of herself.
Three eels, long and thick, powered up from the depths making a frantic beeline for her. Edar actually took the time to throw her a grin before he began to kick back to the surface. The first of the eels reached her and twisted around her legs. Xin ignored it, sweeping her hand around sharply and snapping it shut. The river stopped flowing downstream. Panic spread across Edar’s face as his rise to the surface stopped abruptly. The current had changed, dragging him downward. Yet more air escaped him as he was pulled toward the riverbed.

 
The second eel made quick work of snaking its body around Xin’s torso, constricting her chest. She brought the knife down into its back and the thing opened its toothy maw in fury. A puff of red billowed into the water around her and the eel’s grip loosened. The blade had gone right through, nicking Xin’s clothing but nothing more. She pulled the knife free as the third approached, and the wounded creature lamely twitched as it retreated. With one hand she struck at the newcomer with the knife, while with the other she gestured toward the surface.

 
Like a soap bubble blown between a child’s fingers, a pocket of air pulled down into the water and wobbled into its own entity as the surface tension snapped. The bubble dropped like a rock through the water, settling around Xin’s head. She took a deep breath from the pocket of fresh air.

 
The third eel sharply changed direction at the last moment and powered away from her. Her eyes flicked down to her calves and the eel holding them together let go and shot off after its friend. They were both clearly far brighter than Edar was. That was the great thing about ‘mancers that most people didn’t seem to understand – yes, they had the ability to talk with their certain animal but that didn’t mean the animal had to listen.

 
She turned her attention to her bounty, flailing his limbs as he swirled around and around in a little vortex. She waited, wafting her limbs gently to keep her steady in the water, comfortably breathing from her personal air pocket, until Edar went limp.

 
She flicked her hand and the vortex changed direction, carrying both her and the unconscious Edar back to the surface. With lazy ease she pulled herself onto the riverbank and dragged Edar up with her. He was heavy, especially wet, but not so much so that she struggled. It didn’t take a lot to get him breathing again, and he didn’t cough anything up, so she didn’t much worry about secondary drowning. Either way he’d make it back to the Law Office fine.

 
“How?” he sputtered as she roughly tied his hands behind his back, one knee burrowed hard into his spine.

 
She let a grin slip. “Thought the currents were too strong? Kid, you have a lot to learn about hydromancers.” She yanked him to his feet. “You’ll have plenty of time to think about it inside that gibbet.”

Aye Write! Editing Workshop and Confidence Building

This month I’ve been very excited about the Aye Write festival that’s been taking place in a city near me. There were loads of classes and workshops I wanted to attend but unfortunately due to money I budgeted myself to three. Even more unfortunately, one of them was cancelled right at the last minute, so I’ve only gotten to two of those.

sdr

 

Today I’m going to quickly talk about my experience at the first – that was “Creative Writing: What You Need to Know About Revision and Editing” with David Pettigrew, writer, lecturer and editor. I was excited for this event because editing is the stage I’m at with all my projects currently. As I’ve mentioned in the past, I’ve got a huge backlog of rough draft novels that I’d love to be able to look back on with more than a cringe, so I’m doing my best to work some of these into shape before I get struck by any shiny new ideas.

For me, it’s such a great feeling to go to these events. Almost all my creative writing experiences can be summed up by “me, alone in my room, banging my face against a keyboard.” When I took writing up seriously after university, I didn’t live anywhere that I could actually attend any writing classes. There were no writing groups and I couldn’t find any likeminded writing friends who weren’t at their very closest in another country. It has at times felt very isolated. Being able to attend writerly things like this are not only great fun but a good way to get some of that desolate feel away from it. It’s refreshing and inspiring.

During the event, I never actually learned too much that I didn’t know already. The course covered the basics like when to use a full stop and maybe you should put in paragraphs, along with a couple of other bits and bobs. For me it turned out to be less of an educational experience than it did a confidence builder. I took the time after the event to chat with a few of the other attendees and there were folks who were very serious about their writing but felt the course had opened their eyes about a lot of things they weren’t thinking about.

I guess I’ve still been considering myself as a beginner when it comes to writing fiction because I’m still unpublished, when I’ve actually learned a lot this last five years. In the handout provided with the course there were a lot of examples that I at first thought to be hyperbolic for the purpose of learning. They weren’t – they were quotes from pieces submitted as assignments in an undergraduate creative writing course. I was taken back by that, as I still very much considered myself on the low end of the writing skill scale. It turns out that after five years of practicing and studying and learning I know how to polish things perhaps better than I thought.

I’ve realised that maybe, perhaps, I’m not quite as much a beginner as I thought anymore no matter how much I feel like it.

A Walk in The Woods – Writing Excerpt

Very late post today! Sorry about that! Today, in keeping with my resolutions post, have a short excerpt from my novel Through the Black, first book of the Twyned Earth series currently with its second round of beta readers.

 

Enjoy!

 


 
Tony and I were surrounded by the vibrant, lush wilds, shrouded by elegant trees and bathed in dappled mid-afternoon sunlight as it breached the thick canopy above us. The air was crisp and clear, a breeze rustling the branches gently. It. Was. Awful. I cursed aloud as I stumbled over another bloody tree root, ignoring as Tony laughed and ejected himself from my shoulder. I’d already lost enough drinking and moping time to this sodding safari as it was. The trail just seemed to go on and on. And, in all this time, I hadn’t found a single thing to drink. I was seriously questioning how anyone could consider this fun.

 
I’d lost track of how far we’d gone. The path was an unruly mass of green mess that had lots of features like waterfalls and rocks and other such things I was sure someone found interesting. Shame they weren’t the one writing this article. Fortunately writing bullshit was one of my talents. I could actually sound interested in the great outdoors on paper. Though maybe not without whiskey.

 
In the past twenty minutes or so, the path had become significantly thicker and rougher, as though we were trekking through uncharted territory. Honestly, who did this for fun? Certainly not me and probably not Tony. He glared around as he hovered in front of me. I didn’t know a lot about Aigorshuck, the city of the fairies, but Tony had left for a reason. Maybe trees were that reason.

 
“We’re lost,” he grumbled. “Hang here for a sec. I’m gonna fly ahead and see if we’re actually going somewhere.”

 
“Hey, now wait a second-”

 
He was already gone, disappearing off over the bushes. As much as I didn’t want to admit it, he may have been right. We’d definitely started in the right place. The walk was long and winding though. It was possible we came off somewhere when it became particularly overgrown. My face fashioned a grim scowl as I considered just who the hell asked for a review of a walk that doesn’t even get maintained. The glimmer of Tony’s wings caught my attention as he reappeared from deep within the thicket.

 
“Okay, fine, we might be lost-”

 
“Screw that,” he exclaimed. “Come on!”

 
Not the answer I had been expecting.

 
Tony looped over himself and disappeared back the way he came. I hurried after him as best I could, wrestling through the bushes, thorns and branches clawing at me. It was like wading through treacle. Spiky, spiky treacle. There were times, I was begrudged to admit, when being a fairy might have been handy.

 
What lay beyond must have been good – Tony hadn’t stopped to gloat about me admitting defeat. Now that was worrying. Hissing as a branch of thorns scraped my face, I managed to free myself from the leafy trap and emerge on the other side only to stumble to a halt.

 
“What’s that?” I asked, staring dumbfounded into the clearing.

 
“What does it look like?” Tony asked as though I were a child.

 
I furrowed my brow and tilted my head to the side. “It… It sort of looks like… Well… A bomb.”

 
Before us was a plain circle of land cleared down to the soil. A perfect circle. With no tracks of vehicles and no piles of refuse. Dead centre there was a box with some wires poking out of the top and into the side. Some of the wires disappeared down into the dirt but didn’t lead anywhere else.

 
“I can’t say I’m too happy about being stood here, Tony,” I said, heart beating just a hair faster than normal.

 
“This isn’t right,” he said, sounding distracted. “It’s all way too neat.”

 
“I’m more worried about it becoming un-neat very rapidly,” I insisted. “Let’s g-”