As you know, I’ve been working on a side project partially for fun but mainly to see if using the Snowflake Method of plotting would be beneficial for me in the future for serious projects. Work has been continuing slowly on that but it hasn’t been prioritised over other work – though it seems to want to get itself promoted to a serious project. My plate feels rather full at the minute but we’ll maybe see in the future.
I was making fairly quick progress through all the steps – until I got to stage seven. This part involves very in-depth character profiles, going into every little detail about the characters, and I am finally making some good progress on it. Before I was getting really distracted and skipping ahead to the next phase (I know I shouldn’t but I just love planning scenes) and just generally struggling to get in the rhythm of filling in the incredibly detailed sheets the template came with.
It’s very strange for me to go into so much detail with characters before I start writing. Normally I have to get started and let the characters grow from the page, emerging with the story and influenced by the situations they get put in. I’ll have a rough idea but I won’t really start to know them until I write. I won’t know how they speak or interact or even what they’ll do until I actually get them doing things. It means that in the early chapters of a rough draft they can come off as very dry – because they are. By the middle they’ll have some personality and background and I go back and fix the start during edits.
Using the Snowflake Method means I’m going to know my characters really well before I even think about the first scene. By the time I’m finished stage 7, for each of them I’ll know their histories, their speech patterns, influences and ideals. There’s sheets that probe into areas I wouldn’t have thought of looking at ever and even my ‘main’ minor characters will have comprehensive histories. It really gives the feel that my first draft will have far more robust and interesting characters and that this would lead to far more character driven stories. Now that they already have personalities and histories, they can’t be moulded to the story – it must be moulded to them.
I’m really excited to see how this effects the end result – the way the characters appear on the page. Will they be more rounded, relatable and all around enjoyable as a result? Or will they lose that natural and organic feeling? Honestly, I don’t know yet but there’s only one way to find out!
You may remember me mentioning that I was going to try out the Snowflake method to see if it’s something I want to use in the future when plotting stories. So far, I’ve found it to be an incredibly useful tool. Already I’ve identified several major problem areas and managed to change them quickly, all before I’ve actually gotten to the point where I need to go back and alter other things. Let’s look at the list.
First, I found the character arcs really helpful. This is where a one paragraph synopsis is rewritten for each of the MCs. For one thing, I noticed that one of the MCs had basically no arc whatsoever. She was a Manic Pixie Dream Girl without being manic, pixish or a love interest, which was kinda impressive when you think about it. Noticing this now allowed me to really look at her and her story and make sure that she had goals and pursuits and a purpose other than holding up the other characters. I rewrote her paragraph and turned her into a fully-fledged story all herself. And I didn’t have to alter 70k words of prose to do it – a nice change from my usual method.
Next in Stage 4, the plot expansion step, I was able to combat another old nemesis of mine – the “things are too easy” problem. I make a bad habit of this one and it’s led to me having to insert entire arcs into already fully written manuscripts, and of course alter all the rest of the novel appropriately. Here I could tweak just a few sentences to make things more interesting and less predictable and it only took me an hour or so as opposed to a couple of months.
Stage 5 is very good for weaving all the characters’ stories together and finding ways to add depth and intrigue to use characters to their full potential. It made it easier to keep track of subplots as well, as it allows for slight tangents away from the overarching stories to look closely at each character. Doing half pages for minor characters is something I’ve never done before – I’ve never put much thought into them before the actual writing and always let them develop with the story. It feels very different and I’m interested in seeing how this effects the story and how my secondary characters feel.
I’m currently on Stage 8 – the outline stage. This feels like more familiar ground as it’s extremely rare for me to write without at least a rough scene-by-scene. Naturally, I like the idea of this stage but I found working in a spreadsheet pretty clunky. I’ve modified it a little and instead jumped into Scrivener, using the corkboard feature. This allows me to very easily move scenes around and also put notes and ideas into each document as I go. I’m just too addicted to being able to put extra info absolutely everywhere, and being able to rearrange with just a drag and drop is so convenient.
Needless to say, this new project has become way more of a thing than I ever intended so whoops on that one. What can I say, I need something to distract me while TE1 is with the betas! That said, playing with this story is going to slow down considerably as TE2 has sat long enough. It’s time to work out those huge structural changes that I’m trying to prevent in future projects.
Wish me luck.
While actually writing is vital to becoming an author, so is identifying one’s weak areas and working to improve them. I certainly know I’ve got a few but I think at present my biggest issue is with story. Not so much the larger, overarching story but all the little bits in-between that get us from A to B.
A while ago while I was procrastinating work things by looking up other work things, I stumbled across a few templates for writing using the Snowflake Method. This involves plotting your entire story starting from a single sentence and then slowly building up and up, expanding into increasingly longer synopses until you’ve got a story. It’s a technique I’ve wanted to try for a while because my own method of planning generally ends up a bit chaotic and my stories often feel very linear. I think this is because in general my mind works on a small scale when planning, moving from scene to scene and ending up with something that’s a bit too straight forward.
I’ve been tempted to try the Snowflake method as I think it might help me see the big events earlier and more easily see things that are too simple or boring. It’s a problem I’ve got in many of my manuscripts and leads to a LOT of work later when editing. While I’m still on schedule with The Fairy Godfather, I’ve made a lot of extra work for myself by having to entirely re-work huge sections of the novel. Plotting is clearly something that I need to work on.
I’ve decided that as a side project I’m going to try it out on a fun personal story I’ve had bouncing around in my head for a while. Not one that’s meant as a serious piece, more as just a workout to see if this method a) works for me and b) helps me with some of the issues that I know I have with plotting.
Also, as I have a love of templates and filling out boxes, I’m going to be using Caroline Norrington’s Scrivener Template. It’s got documents for all the steps of the snowflake method, scene planners, huge character templates – all the good stuff. As this is a basically a side side project, I most likely won’t be sticking to the schedule listed in the template even a little. It’ll be a while before I’m doing a first draft of a proper project as opposed to something just for fun for myself, so I won’t need results any time soon.
Hopefully by the end of it I’ll end up with another daft story for myself to enjoy and a bit more skill when it comes to creating compelling stories.